Residency •
The Open Moment 2026
September 12, 2026
•
7:00 pm
Miami Light Project and The Centre for the Less Good Idea continue their five-year Miami–Johannesburg exchange with an intensive performance residency at The Light Box Studio at Miami Theater Center. Artists from South Africa and Miami will come together to experiment, collaborate, and develop new material. Join us for a glimpse into what emerges when artists from two cities meet, share, and create together.
This weeklong culminates in the OPEN MOMENT, a work-in-progress sharing that opens the studio doors to experimentation, discovery, and the first spark of new performance.
Featured Artists:
Johannesburg – Anathi Conjwa, Billy Langa, Athena Mazarakis
Miami – Britney Tokumoto, Nicole Pedraza, Diego Melgar, Victoria Mora, Andrea Agostini, Dani Amaro, Magela Herrera, Nina Osoria Ahmadi, Luciano Cortes
About Miami Light Project
Founded in 1989, Miami Light Project is a not-for-profit cultural organization, which commissions and presents artists from all over the world and throughout Miami. We support the vanguard in contemporary performance – dance, music, theater and multimedia artists who are internationally recognized for risk-taking innovation, technical virtuosity and thought-provoking content. Our programmatic vision has led the way in establishing Miami as an internationally recognized center for art and culture, with a vibrant locally based artistic community. Miami Light Project’s artistic programs focus on issues of relevance to our community within the context of an evolving global field of art and culture.
About The Centre for the Less Good Idea
The Centre for the Less Good Idea is an interdisciplinary theatrical incubator founded by world- renowned and award winning South African artist William Kentridge, and his esteemed artistic associate Bronwyn Lace. Focusing on collaboration among artistic disciplines and integration of text, music, performance, projected images and dance, these productions bring together world-class performers, creatives, technicians, and producers to create powerful and resonant works of art which reflect the legacies of colonialism and apartheid within the landscape of South Africa’s socio-political landscape.
Funders